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Special recognition must go to Lisa Marie Woods, who seizes the opportunity to showcase her dramatic skill and expressive balletic moves during an exquisitely choreographed ballet sequence. Bravo!

Being largely unfamiliar with these lieder, I appreciated Moore’s performance of two different settings for the same poem (An den Mond) because it pointed the way to how Schubert’s handling of the material matured over time.

Each passage totally exhausts the possibility of what can be done with this material, leaving the audience amazed and stunned at what can be done with this simple six-word passage set as a texturally dense, five-part fugue.

The creative design elements of the shocking opening scene augur well for what is yet to come.

The three hour show included all that we love about ZinZanni - a great 5 course meal, crowd involvement in riotous competitions and performances, spell binding acts, and even the train transformed into a Mexican themed event.

This multi-layered tale of a young man’s mental instability is perfectly delivered by one of the most stellar casts that City Lights Theatre has put together this year.

A “wirehead” is a human with an intracranially implanted “z drive.”

Quirkly and self-referential, O’Hare can do more with her cheekbones than many actresses can do with the entire body.

It is a testament to the universality of the family of man that this endearing story, steeped in Jewish traditions from the shetls of Eastern Europe, is so meaningful to audiences everywhere.