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Cy Ashley Webb

Cy spent the ‘80’s as a bench scientist, the tech boom doing intellectual property law, and the first decade of the millennium, aspiring to be the world’s oldest grad student at Stanford where she is interested in political martyrdom. Presently, she enjoys writing for Stark Insider and the SF Examiner, hanging out at Palo Alto Children's Theatre, and participating in various political activities. Democracy is not a spectator sport! Cy is a SFBATCC member.
Cy Ashley Webb - Announcement
Culture

Goodbye to All That / The Journey Continues

BY CY ASHLEY WEBB — 06.20.2016
Twenty-eight years ago, my late husband and I packed up lock, stock, and litter box, schlepping a 52 pound portable computer (386 processor), three cats…
The Velocity of Autumn - Review @ TheatreWorks Silicon Valley
Culture

Bone-chilling Fast: ‘The Velocity of Autumn’

BY CY ASHLEY WEBB — 06.07.2016
Playwright Eric Coble loves his characters, and lavishes them both with one-liners that ring so true they occasionally raised a gasp of recognition from the…
(l to r) Ellen McLaughlin (Wendy) and Kathleen Chalfant (Ann) in Sarah Ruhl’s For Peter Pan on her 70th birthday at Berkeley Rep.
Culture

Not Quite Aloft: ‘For Peter Pan on her 70th Birthday’ (Berkeley Rep)

BY CY ASHLEY WEBB — 05.31.2016
The magic in this play is all in that fantastical morphing, which shimmers in its quiet way, infusing the play with lightness and warmth. The…
Will Durst in Elect to Laugh 2016 at The Marsh San Francisco
Culture

Elect to Laugh 2016: Again and again

BY CY ASHLEY WEBB — 05.27.2016
Quick to connect with the audience, Will Durst alternates knowing insults and ego stokes, always taking the audience’s pulse.
Culture

‘Last Five Years’ a sleeper hit at A.C.T. San Francisco (Review)

BY CY ASHLEY WEBB — 05.21.2016
The imaginative geometries created by Roberts Wierzel’s lighting design are so striking that whole dissertations could be directed at explicating how their crisp precision advances…
Smuin Ballet - Dance Series Two
Culture

Another shot of Helen Pickett’s choreography with the Smuin Ballet’s current offering

BY CY ASHLEY WEBB — 05.16.2016
This piece, which speaks to a sense of loss and dislocation, is not without bits of complete silliness. Performed by six dancers, it relies on…
The Lighthouse - Opera Parallele Review
Theater and Stage

Wrapped in fog, ‘The Lighthouse’ makes perfect music (Review)

BY CY ASHLEY WEBB — 05.02.2016
Davies’ score is rife with unexpected turns, as irregularly unpredictable as the sound of creaking timbers on a New England whaling ship in a nor’easter,
Palo Alto Players - Into the Woods - Stark Insider Review
Theater and Stage

‘Into the Woods’ at Palo Alto Players (Review)

BY CY ASHLEY WEBB — 04.26.2016
Into the Woods is a difficult show to perform, demanding split-second responses, with nary a rest. Fairytale characters busily weave their assorted tales, while simultaneously…
SFGMC Tales of Our City Spring Concert Review
Culture

Opening the Pearly Gates: SF Gay Men’s Chorus at Davies

BY CY ASHLEY WEBB — 04.18.2016
The audience was on their feet before raconteur, writer and de facto social historian Armistead Maupin regaled the audience without resorting to the old saw,…
Boeing Boeing Review
Culture

Friendly Skies: ‘Boeing Boeing’ (Review)

BY CY ASHLEY WEBB — 04.12.2016
Part of the tight fast-paced brilliance, sold here in a Mary Quant vision of primary colors and angular geometries, can be attributed to Kenneth Kelleher’s…

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