Review: Indulgences in the Louisville Harem
Like Violet and Florence, they’re a pair of opposites with Robbilet (who looks like Pablo Escobar played by Groucho Marx) being silent and Davis being irrepressibly loquacious.
5 Questions with Metamorphosis director Mark Jackson
"Metamorphosis wouldn't make as good a film, I think, because the bug would inevitably be rendered in CGI, leaving nothing to the audience's imagination."
Theatre Review: ‘Assassins’ – Inspired lunacy
With this production, Ray of Light Theatre has once again proven itself to be a force to be reckoned with in Bay Area musical theatre.
Review: Noël Coward meets Benny Hill
Scenic designer Patrick Klein must have worked over time creating a lush, well-appointed set.
Bay Area Stage this Weekend: Blithe Spirit (Palo Alto), Assassins (San Francisco)
You name it, and chances are you'll find here in the San Francisco Bay Area, the third (possibly second if you consider LORT count) largest theater market in the U.S.
Review: ‘Mamma Mia!’ opens in San Jose
Categorizing this show as predictable and banal would be like criticizing Twinkies for being high-fat chemi-concoctions.
Review: [title of show] opens at TheatreWorks
These people do more with four random chairs than most of us could do with an entire household of furniture.
Review: San Jose Stage’s ‘Avenue Q’ a fun, sweet production
In spite of Avenue Q’s teaser reputation as a Muppet satire packed with vulgarity, profanity and full puppet nudity, the dialogue and situations are quite tame by today’s HBO standards.
Symphony Silicon Valley wraps season with global flare
One of the highlights of the piece was a duet with Asarnow and Concertmaster Robin Mayforth on the violin that was both tranquil and moving.
Theater Review: ‘Tales of the City’ – It was worth the wait
This is a wonderfully edgy, quintessential San Francisco experience, embracing its eccentricity with a singular charm and an irrepressible, incandescent spirit.