Think Twiggy, Yves St. Laurent’s Mondrian collection, Mary Quant, and Marianne Faithful in a fur rug, and you’ll be on the set of 'Being Earnest'.

If you think you’re too good for wrestling, come to this show. If you think you know something about race and complicity, come to this show. If you feel disconnected from theatre, you should especially come to this show.

Copeland's performance suggests that most of us are more genuinely confused than genuinely racist, and that self-hatred can be insidiously contagious.

Joan Crawford: your play is ready. Divas unite.

This is a spinet on stage, not a baby grand, and what de Waal does with it can make you rethink the possibilities of music.

From the Fringe Festival in San Francisco.

Looking at the cultural cradle that these greats rock out of, we reconstitute ourselves again, not as polarized ions, clinging to one positive or negative charge, but as whole people.

After ten years as the general director of San Francisco Opera, David Gockley is retiring. To chronicle his contributions to American opera would take a book, not a blog post (and in fact there is one). But the Celebrating David! gala concert on Thursday night focused on two of...

The production’s deft use of technology gives 'Needles and Opium' a major “wow” factor.

The repertoire of Tuck and Patti deftly illustrates the purpose of this venue — bring people together across the Americas to celebrate music, love and life.