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Theater and Stage

Reviews and coverage of theater and performing arts in San Francisco, Silicon Valley, Berkeley, and beyond. Written by ATCA critic Clinton Stark.

Culture

Review: ‘War Horse’ at the SHN Curran commands breathless attention

BY CY ASHLEY WEBB — 08.06.2012
While the show is smart enough to throw in bits of comedy, be it an insouciant toss of a tail, or fat, self-important geese waddling…
Culture

Return to Middle Earth with Charles Ross

BY CY ASHLEY WEBB — 07.26.2012
On stages like this, the actor’s craft is laid bare. This performance had nary a stick of scenery or stitch of costume, and only the…
Culture

‘Triads’ a memorable, out-of-the-box experience

BY STARK INSIDER — 07.23.2012
Saturday night’s performance at the Herbst Theatre did not disappoint the enthusiastic crowd
Culture

Fame, fortune and felony ‘Chicago’-style

BY STARK INSIDER — 07.23.2012
Chicago continues to resonate with an audiences even more than it did when it was introduced on Broadway in the 70s. This original City Lights…
Culture

A Dream of Freedom: ‘Cavalia’ review, plus rare video interview with founder Normand Latourelle

BY CY ASHLEY WEBB — 07.20.2012
The thundering of the horse hooves, the mysteries of the video and even the cool air that hits the audience in the face when it…
Culture

Review: They Did It! ‘My Fair Lady’ at SF Playhouse

BY CY ASHLEY WEBB — 07.17.2012
SF Playhouse's 'My Fair Lady' is such a purified extract of the Lerner and Lowe original that you'll be clapping along with the audience, and…
Culture

Theater Review: ‘Upright Grand’ overflows with musical vitality (but far from schmaltzy!)

BY CLINTON STARK — 07.16.2012
Schellhardt's words are achingly genuine and never trite; especially those of Kiddo who I suspect bears more than a passing resemblance to herself, having grown…
Culture

San Francisco Theater: ‘Sweeney Todd’ and the Eureka’s demon acoustics

BY CY ASHLEY WEBB — 07.16.2012
During intermission, the audience fell into two camps – those who insisted that the sound issues were due to the musicians playing too loudly, and…
Culture

Review: ‘Les Misérables’ opens at the Orpheum (plus photos!)

BY CY ASHLEY WEBB — 07.13.2012
Almost everyone I know, regardless of age, places themselves behind the barricades with the students. However, something more obvious is happening...
Culture

Custom-made Shakespeare: ‘Merchant of Venice’

BY CY ASHLEY WEBB — 07.13.2012
While strutting their cells phones, investments and irony, the cast seemed so at home in this language that they brought the text to a whole…

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