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Theater and Stage

Reviews and coverage of theater and performing arts in San Francisco, Silicon Valley, Berkeley, and beyond. Written by ATCA critic Clinton Stark.

Culture

‘The Producers’ at Hillbarn a winner

BY STARK INSIDER — 05.05.2012
Perhaps the greatest compliment one can give this production of the Tony Award-winning musical is that one forgets that it's “community theatre."
Culture

Park your cynicism at the door for ‘In the Heights’

BY CY ASHLEY WEBB — 04.20.2012
Theatre that stays with you invariably has at least one actor with such compassion and understanding of his character that he completely inhabits it.
Culture

Stones don’t bite in ‘Any Given Day’

BY CLINTON STARK — 04.13.2012
This is the great Jim Carpenter's first time on the Magic stage, and those that follow Bay Area theater know he's a stalwart icon. For…
Culture

‘Of Mice and Men’ a profound gift

BY CLINTON STARK — 04.09.2012
This is a strong cast, maybe one of the strongest I've seen on the TheatreWorks stage in the past few years.
Culture

You can live in color at ‘Maple and Vine’ in San Francisco

BY CLINTON STARK — 04.09.2012
One neat trick about this new work is the decision to treat the audience as recent inductees into the SDO (or is that a cult?).…
Culture

Good Morning Baltimore! ‘Hairspray’ opens at Broadway by the Bay (review)

BY CY ASHLEY WEBB — 04.08.2012
No two-dimensional cutout, Grissom’s Edna, a one-man Greek chorus in drag, is the heart of the show.
Culture

Buffalo’ed – A well-intentioned misfire

BY STARK INSIDER — 04.07.2012
Any emotional resonance is attributable to the truly remarkable ensemble, with strong, polished performances, plus superb dancing by Alexandria Diaz de Fato.
San Francisco Performances
Culture

San Francisco: Ute Lemper – in a class all her own

BY STARK INSIDER — 04.02.2012
With the outstanding support of the Vogler Quartet and virtuoso musician and arranger Stefan Malzew, this is a must-see show. Bravo!
SHN San Francisco
Culture

‘The Caretaker’ with Jonathan Pryce an iconic show

BY CY ASHLEY WEBB — 03.31.2012
Hassell’s physical movements take on the patterns of speech, as the articulated rhythms of his monologues become poetry.
San Jose Repertory Theatre
Culture

Review: ‘God of Carnage’ a wickedly savage comedy

BY CLINTON STARK — 03.29.2012
One scene, that I won't give away here, involves the destruction of some rare art history books on a coffee table. It's one of the…

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