Bold and Bizarre: The Unfortunates at ACT
Three a cappella group members walk into the Oregon Shakespeare Festival. It’s not the start of a joke; it’s the birth of a musical. Or a rock opera. Or a staged concept album. It’s hard to pin down what, precisely The Unfortunates is, but it doesn’t need to be...
At the Orpheum: The Illusionists (Review)
The Orpheum has a history of big lunacy, undoubtedly bearing psychedelic traces that permanently alter the chemistry of the ceiling ornaments so that 'The Illusionists' fit right, in ways that just don’t work in a San Jose venue.
Valley of the Heart: What is this Promised Land, this California? (Review)
Valley of the Heart is that big: an epic multi-generational story, larger in scope than the Grapes of Wrath, and worth every one of the 180 minutes making up its run time.
A mesmerizing mermaid tale at Cutting Ball Theater
Ilana Walder-Biesanz reviews the World Premiere of a new play by Katharine Sherman about Ondine, a water sprite.
00:05:59
Phantom of the Opera tops Broadway San Jose’s new season (Video)
Cameron Mackintosh's new production of Andrew Llyod Webber's famed The Phantom of the Opera leads the upcoming Broadway San Jose season.
Revealed today, the eight show line-up features a thoughtful mix of classic musicals such as Cabaret, Annie and The Sound of Music, alongside contemporary hits like Kinky Boots, Matilda...
The Nether is a 90 minute heart-in-mouth experience
Instead of a futuristic netherland, this Jennifer Haley play feels like a virtual Second Life crossed with regions of the dark web, with forays down the Silk Road. If that makes you squeamish, the San Francisco Playhouse production of 'The Nether' hits the mark.
Lions, tigers, bears, and men lurking behind curtains
Not only does the script retain dialogue essential to the spirit of the thing, it's iconic moments give you the same hit as the original, with Arron Fried’s delectable Cowardly Lion infused with concentrated essence of Bert Lahr.
‘Jersey Boys’ and those Jersey contradictions
“Jersey Boys” gets that part right – gets part of that whole New Jersey thing - in a way that seems unimaginable. Wow… New Jersey. Shudder and Shake.
What a Wonderful World! ‘Satchmo at the Waldorf’ (Review)
Looking at the cultural cradle that these greats rock out of, we reconstitute ourselves again, not as polarized ions, clinging to one positive or negative charge, but as whole people.
Lucky Us: ‘Irving Berlin’ at TheatreWorks (Review)
Every move of Felder’s seems carefully calibrated to a degree that would be stagey on a lesser actor. Here, however, it gives rise to a delightful particularity that reveals his respect for his subject and his audience