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Cy Ashley Webb

Cy spent the ‘80’s as a bench scientist, the tech boom doing intellectual property law, and the first decade of the millennium, aspiring to be the world’s oldest grad student at Stanford where she is interested in political martyrdom. Presently, she enjoys writing for Stark Insider and the SF Examiner, hanging out at Palo Alto Children's Theatre, and participating in various political activities. Democracy is not a spectator sport! Cy is a SFBATCC member.
Culture

Alive & Kicking: ‘Forbidden Broadway’ at San Jose Rep (Review)

BY CY ASHLEY WEBB — 02.28.2014
Having hit on a formula that works (two men, two women, one on-stage piano), Gerard Allessandrini’s shows are like a Saturday Night Live takedown of…
Culture

American Bach Soloists deliver a Herculean Performance in Berkeley

BY CY ASHLEY WEBB — 02.24.2014
Spiking the program with such relatively unknown gems is part of what makes ABS so very special.
Culture

Back with the Ives Quartet

BY CY ASHLEY WEBB — 02.22.2014
Musumeli attacks the demanding frenetic passages that alternate with the more lyrical ones with a pointedness that resonates long after the piece has ended.
Culture

Stage Review: ‘Madama Butterfly’ at Opera San Jose

BY CY ASHLEY WEBB — 02.17.2014
Opening night belonged to Jennifer Forni, whose rich, lush voice from the raked stage could be clearly heard anywhere in the theatre.
Culture

Putting San Jose on the map with ‘Threepenny Opera’

BY CY ASHLEY WEBB — 02.10.2014
Shows like this are why you go to theatre in the first place. If 'Threepenny Opera' doesn't take you out of yourself, I suspect nothing…
Culture

Gidion’s Knot at Aurora: Its heart lies in parental love (Review)

BY CY ASHLEY WEBB — 02.08.2014
Those who invest the time and emotion in this play will be richly rewarded.
Culture

Philharmonia Baroque Orchestra brings an evening of CPE Bach

BY CY ASHLEY WEBB — 02.07.2014
CPE’s Concerto for Fortepiano and Harpsichord in E♭ Major (Wq47) is a gloriously fun piece, that alternates bird call with scalar passages in a delightful…
News

Brian Copeland: Back at The Marsh (Review)

BY CY ASHLEY WEBB — 02.03.2014
He’s smarter with this material, more of a storyteller and more of a philosopher. Only for the briefest of moments did he threaten to start…
Culture

The Call of the Drums: ‘Jerusalem’ at San Francisco Playhouse (Review)

BY CY ASHLEY WEBB — 01.27.2014
Dykstra’s performance draws much from a young Marlon Brando’s Stanley Kowalski, such was the combination of sexuality, bourbon, and bombast.
Culture

The sky’s the limit

BY CY ASHLEY WEBB — 01.20.2014
Given the general unfamiliarity with Henrietta Leavitt, Cepheid variable stars or the relationship between the period of a Cepheid and its luminosity, Gunderson brings the…

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