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Ilana Walder-Biesanz

Ilana is an Associate Product Manager at Yahoo! and a freelance theater and opera critic. She holds a B.S. in Engineering from Olin College and an M.Phil. in European Literature from the University of Cambridge. She currently reviews for Stark Insider, Bachtrack, and San Francisco Classical Voice.
The Mineola Twins Review -Cutting Ball Theater, San Francisco
Theater and Stage

Twin Trouble on Taylor

BY ILANA WALDER-BIESANZ — 10.04.2017
The Mineola Twins at Cutting Ball Theater opens with thunder and lightning. The intensity continues unabated throughout the show. Paula Vogel’s play follows a pair…
Theater Review: Hamlet at A.C.T. San Francisco
Theater and Stage

Stars align for a memorable ‘Hamlet’ at the ACT

BY ILANA WALDER-BIESANZ — 09.29.2017
The American Conservatory Theater’s Hamlet marks the debut of two greats who somehow (strangely) have never tackled this great play. John Douglas Thompson premieres his…
How I Learned to Drive - Custom Made Theatre San Francisco
Theater and Stage

Lessons in driving and empathy at Custom Made Theatre

BY ILANA WALDER-BIESANZ — 09.22.2017
Playwright Paula Vogel has been in the news a lot recently. She made her (shamefully overdue) Broadway debut with Indecent, which was nominated for the…
Cal Shakes Review: Measure for Measure
News

How do you solve a problem like ‘Measure for Measure’?

BY ILANA WALDER-BIESANZ — 09.19.2017
Measure for Measure is famously a “problem play,” often dismissed when companies are programming Shakespeare. It’s neither tragedy nor comedy, but its defiance of genre…
Theater Review: Luna Gale at Aurora Theatre, Berkeley
Theater and Stage

Blown away by Aurora’s ‘Luna Gale’

BY ILANA WALDER-BIESANZ — 09.09.2017
In the words of a character from Luna Gale, deciding a child’s future is an “awesome responsibility.” In this absorbing play, receiving its Bay Area…
Theater and Stage

Zenith dodges its own question

BY ILANA WALDER-BIESANZ — 08.25.2017
Kirsten Greenidge’s new play Zenith asks a difficult question: why do ordinary people commit horrifying crimes? Specifically (in a scenario loosely inspired by a true…
Something Rotten Tour Review - San Francisco SHN Orpheum
Theater and Stage

Something Rotten! proves a fresh musical parody

BY ILANA WALDER-BIESANZ — 08.24.2017
There’s nothing serious or meaningful about Something Rotten!. Still, if you know the lullaby of Broadway and brush up your Shakespeare, it’s sure to make…
Danielle de Niese - Interview Festival Napa Valley
Culture

An interview with Danielle de Niese, “opera’s coolest soprano”

BY ILANA WALDER-BIESANZ — 06.11.2017
Her life as a superstar soprano keeps her traveling around the globe. I had a chance to catch up with Danielle in advance of her…
The Encounter - Curran Review
Theater and Stage

An intimate and incredible Encounter

BY ILANA WALDER-BIESANZ — 04.26.2017
The first minutes of The Encounter (currently at the Curran) are a mix between technological witchcraft and light hypnosis. After a brief introduction about the…
Theater and Stage

An icy Phèdre at Cutting Ball Theater

BY ILANA WALDER-BIESANZ — 04.25.2017
Logical holes undercut the coherence of the plot.

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