Ilana is an Associate Product Manager at Yahoo! and a freelance theater and opera critic. She holds a B.S. in Engineering from Olin College and an M.Phil. in European Literature from the University of Cambridge. She currently reviews for Stark Insider, Bachtrack, and San Francisco Classical Voice.
The Mineola Twins at Cutting Ball Theater opens with thunder and lightning. The intensity continues unabated throughout the show. Paula Vogel’s play follows a pair…
The American Conservatory Theater’s Hamlet marks the debut of two greats who somehow (strangely) have never tackled this great play. John Douglas Thompson premieres his…
Playwright Paula Vogel has been in the news a lot recently. She made her (shamefully overdue) Broadway debut with Indecent, which was nominated for the…
Measure for Measure is famously a “problem play,” often dismissed when companies are programming Shakespeare. It’s neither tragedy nor comedy, but its defiance of genre…
Kirsten Greenidge’s new play Zenith asks a difficult question: why do ordinary people commit horrifying crimes? Specifically (in a scenario loosely inspired by a true…
There’s nothing serious or meaningful about Something Rotten!. Still, if you know the lullaby of Broadway and brush up your Shakespeare, it’s sure to make…
The first minutes of The Encounter (currently at the Curran) are a mix between technological witchcraft and light hypnosis. After a brief introduction about the…