Ilana Walder-Biesanz
Shakespeare’s obscure ‘Timon’ sears at Cutting Ball
Shakespeare completionists surely took note when Cutting Ball Theater announced Timon of Athens as part of their 2017–18 season. It’s a difficult one to...
The Effect‘s side effects: laughter and angst
How can we trust in love if it’s reducible to brain chemistry?
Romance, rap and a road trip for refugees of ‘Vietgone’
Ilana Walder-Biesanz reviews Vietgone, American Conservatory Theater's (A.C.T.) latest production, now playing at The Strand in San Francisco.
Humor is not what you’d expect from...
A nineteenth-century housing crisis at Aurora Theatre
Widowers’ Houses is, by Shaw’s own categorization, a “play unpleasant.”
No one on the stage is remotely likeable. Certainly not Blanche (Megan Trout), the spoiled...
Fighting Windmills at Custom Made Theatre
In Review: Man of La Mancha at Custom Made Theatre Co., San Francisco.
Don Quixote has no shortage of adaptations – cinematic, balletic, theatrical, and...
Fighting fascism at Berkeley Rep: ‘Watch on the Rhine’ (Review)
Lead photo: (front row, l to r) Jonah Horowitz (Bodo Muller), Emma Curtin (Babette Muller), and Elijah Alexander (Kurt Muller); (back row, l to r)...
A campy Christmas at the Custom Made Theatre Company
The Lion in Winter is a family drama with stakes that make Lear look like a petty squabble. It’s 1183, and King Henry II...
A new Irish epic at Magic Theatre
Multi-part epics are always intimidating. They’re a big commitment to make in advance, and there’s a sense of failure if you don’t see them...
A French call to #resist
It’s been less than a year since the U.S. election, and theatergoers are surely already tired of plays that tackle authoritarianism. While Camus’ State...
A very funny rabbi(t) at Berkeley Rep
Have you ever confused a rabbi with a rabbit? Me, neither, but it seems like a plausible mistake in Daniel Handler’s new play Imaginary...









