San Francisco: Ute Lemper – in a class all her own

With the outstanding support of the Vogler Quartet and virtuoso musician and arranger Stefan Malzew, this is a must-see show. Bravo!

San Francisco Performances
In Review

Ute Lemper and Vogler Quartet

4.5 out of 5 stars
4.5 out of 5 stars - 'Right on the Money'
    San Francisco Performances
    March 31, 2012
    Ute Lemper, vocals

    Tim Vogler, violin

    Frank Reinecke, violin

    Stefan Fehlandt, viola

    Stephan Forck, cello

    Stefan Malzew, clarinet and piano
    Herbst Theatre
    Program: SCHULHOFF, EISLER, WEILL, PIAF, BREL, SATIE and PIAZZOLLA
    Website: sfperformances.org
    Review by Gregory M. Alonzo

    Herbst Theatre

    If the dynamic and preternaturally talented chanteuse Ute Lemper did not exist she would have to be invented. She has almost single-handedly kept the modern chanson alive as a musical art form and has made it palatable to American audiences by virtue of her megawatt charisma and undeniable sex appeal.

    Her one-night stop in San Francisco as part of her North American tour promoting her marvelous “Paris Days, Berlin Nights” album was greeted with a well-deserved standing ovation at the historic Herbst Theatre. Only unimaginative lighting and minor audio gaffes detracted from what was otherwise an exemplary show.

    Her vocal prowess is extraordinary, but it’s her consummate theatrical skill and passionate affinity for the music of such diverse composers as Kurt Weill, Astor Piazzolla and Jacques Brel that made her performance virtually operatic in scope and a wonder to behold. And yet, the lithe Ms. Lemper, wearing a stunning pleated halter gown, somehow managed to maintain the intimacy of a cabaret act one might see in a much smaller venue.

    With the outstanding support of the Vogler Quartet and virtuoso musician and arranger Stefan Malzew, this is a must-see show for anyone open to a special and genuinely memorable experience. Bravo!

    In Photos: Ute Lemper and Vogler Quartet

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    Despite living in the South Bay, Greg’s heart remains in his hometown of San Francisco. When he’s not spending time attending local theatre, art exhibitions or the cinema, he practices law in San Jose. He likes to think of himself not as a “critic” but as an unabashed fan of the performing arts with an opinion that, he hopes, is worth sharing. His reviews can also be read at bayareacritic-at-large.blogspot.com which covers theatre venues throughout the Bay Area.