Skip to content
Stark Insider
  • Culture
  • Filmmaking/Tech
  • Atelier Stark Films
Culture News

SF Bay Area theaters see 12.5% monthly increase in Twitter followers

Theaters with the largest growth in followers include SF Playhouse (23%) and Marin Theatre Company (53%).

BY Clinton Stark — 04.03.2012

Update 4.4.2012: Marin Theatre Company has a great suggestion. The idea is that we introduce attendance or a similar variable into the social index. I agree. With that information we could attempt to normalize the data you see in the table below. Simply ranking organizations using absolute Twitter Followers and Facebook Likes is, of course, slightly asinine – a favorite jaunt of mine. I’ll definitely look at ways to evolve (i.e. mature) this process as we go along; though I still believe the trends here help us to at least partially understand what’s happening in aggregate when it comes to social media activity around theater in the San Francisco region. Your continued suggestions are monumentally important, so please keep them coming. Oh: #PlayOn.

@MarinTheatreCo Thanks for suggestion! I might need mainframe for forthcoming computation. But: how to get avg. attendance #s?

— Clinton Stark (@clintonstark) April 4, 2012

Exactly one month has passed since we last updated the social media scorecard for theater here in the San Francisco Bay Area. The report is a roll-up of Twitter followers for major theater organizations across the region.

Of the 16 theater organizations we’re tracking, on average Twitter followers increased 12.5% month over month. Theaters with the largest growth in followers include SF Playhouse (23%) and Marin Theatre Company (53%).

Overall, Berkeley Rep continues to lead with 2,794 Twitter followers, and 5,591 Facebook likes. American Conservatory Theater (A.C.T.) and Magic Theater round out the top three when it comes to pure numbers (as opposed to active engagement).

New for this month: I’ve added Facebook followers.

I’ve long suspected that actual engagement with patrons (not amongst industry folks) is stronger on Facebook than it is on Twitter. That’s just a personal hypothesis. As we continue to update this scorecard through the year, I plan to calculate some sort of social index rating. Not sure how I’ll derive it, or if it’ll mean anything significant, but I’ll give it the old heave-ho. And, as usual, if you have any thoughts or suggestions, please tweet me, FB me… heck, even Instagram me.

The goal?

To measure the level of social activity around theater in the Bay Area.

What does that mean?

We’re trying to determine if social networks — predominantly Twitter, Facbook and Foursquare too — result in measurable ROI. The conversation about a show or play starts well in advance of the curtain or previews. Eventually we want to put our arms around who is talking about it, how often, why and with whom. Ensuing opinions and reactions likewise continue on social networks well after a performance concludes. It’s only natural that this new wave of direct consumer engagement become a priority for the arts, just like it has for the wine, tech, restaurants, etc.

A baseline

I started this project at the beginning of 2012. With a few months of data, we can start to observe patterns and trends. It’s important to note that Twitter Followers and Facebook Likes are mere static indicators. They don’t represent actual conversation or engagement. At least, though, with this scorecard we have a starting place based on numbers. Eventually I hope to integrate data from other, more advanced social reporting tools that will help us discover how (and if) social networking is impacting the world of theater.

Obviously this report is far from comprehensive. At this point, 16 organizations are represented. I continue to add any performing arts venue (as long as it has a theater component) that reaches out to me. Over the year we’ll examine the results, hopefully start a dialog about what works, what doesn’t when it comes to social media and theater.

I want to get social!

Then follow this Twitter list of SF Bay Area theater directors, actors, marketing folk, trade, critics.

Let the show begin…

Social Media Scorecard: SF Bay Area Theater March 2012

Updates? Email me or message me. But whatever you do, don’t dare call me.

2012 Scorecard: January, February (plus, who to follow).

Tags:San Francisco

Related Stories

Six Ruth Asawa looped-wire sculptures suspended against white wall with circular shadows

The Wire Remembers

Culture
Loni Stark responding to AI Agent questions ahead of The Third Mind Summit in Loreto Mexico.

When Agents Answer Back: Documenting Divergence in Human-AI Collaboration

Culture
Loreto Baja California Sur - site of The Third Mind Summit 2025

The Third Mind Summit: Pre-Event Field Notes on Human-AI Symbiosis

Culture
CellarChat AI wine-pairing interface on a mobile phone, showing prompts like ‘What should I open for dinner with lamb?’ and ‘Which of my wines are ready to drink?’

CellarTracker Launches AI-Powered Wine Recommendations with CellarChat

Culture

More in Culture →

Clinton Stark

Filmmaker and editor at Stark Insider, covering arts, AI & tech, and indie film. Inspired by Bergman, slow cinema and Chipotle. Often found behind the camera or in the edit bay. Peloton: ClintTheMint.

Short Films
Loni Stark - A West Coast Adventure - A Lifetime in the Making - Stark Insider

Stark Insider
  • CULTURE
  • BEST OF AI
  • FILMMAKING/TECH
  • ATELIER STARK FILMS
  • HUMANxAI SYMBIOSIS
THE STARK COLLECTIVE
  • THE STARK CO
  • STARK INSIDER
  • STARKMIND
  • ATELIER STARK
© Copyright 2005-2026 BLG Media LLC. v2.18.1
  • Review Policy and Shipping
  • Privacy Policy
  • Contact
  • About