Max Rosenak in Magic Theatre's production of "Bad Jews" (Photo: Jennifer Reiley)
In Review

Bad Jews

3.5 out of 5 stars
3.5 out of 5 stars - 'Sweet Stuff'
Magic Theatre
Directed by Ryan Guzzo Purcell
Starring Rebecca Benhayon, Riley Krull, Max Rosenak, Kenny Toll
Review by Loni Stark

Super Jews, Uber Jews, Bad Jews. In Magic Theatre’s latest Bay Area Premiere, Bad Jews, by playwright Joshua Harmon, we are drawn into an intensely personal debate about family, identity and tolerance. While my Jewish friends may relate more to specific Jewish references, my sister and I both agreed that such an incident could, and actually has happened in our family of first and second generation Chinese immigrants.

There are no simple answers in this play.

Set in an apartment, with a view of the Hudson River from the bathroom window (as we are frequently reminded), cousins Daphna (Rebecca Benhayon), Jonah (Kenny Toll) and Liam (Max Rosenak) are brought together by an unfortunate event, the death and funeral of their grandfather.

A humorous verbal sparring between cousins over sleeping arrangements and family wealth rapidly turns ugly as Daphna battles it out with Liam and his shiksa girlfriend Melody (Riley Krull) over who is more deserving of their grandfather Poppy’s Chai necklace. To Daphna, the Chai necklace which endured the Holocaust with Poppy is a religious symbol. Being the most devote of the bunch, she righteously argues that she deserves to have the Chai necklace.  To Liam, who adheres to religious traditions more lightly, the Chai represents hope and love worth living for after the Holocaust and sees his intentions for it much aligned to this goal.

Liam (Max Rosenak) and his gentile girlfriend Melody (Riley Krull)
Liam (Max Rosenak) and his gentile girlfriend Melody (Riley Krull)

The quick and cutting dialogue delivered with much conviction between the cousins would have been too unbearably raw, if it weren’t for Harmon’s equal part of comedy in those same lines. He brings us to a deep, dark place where we can grapple with our individual desires of a new future and the remembrance we must pay to the past, our ancestors and their sacrifices.

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There are no simple answers in this play. No neatly tucked away ending. Instead, the messy conclusion only leaves more questions for us to ponder — what we do for appearances and what we do in silence because it is what we need to do.

Loni Stark is an artist at Atelier Stark, self-professed foodie, and adventure travel seeker who has a lifelong passion for technology’s impact on business and creativity. She collaborates with Clinton Stark on video projects for Atelier Stark Films. It’s been said her laugh can be heard from San Jose all the way up to the Golden Gate Bridge. She makes no claims to super powers, although sushi is definitely her Kryptonite.