Cutting Ball Theater
Shakespeare completionists surely took note when Cutting Ball Theater announced Timon of Athens as part of their 2017–18 season. It’s a difficult one to check off your see-them-all list: a few dozen Hamlets and Macbeths get produced for every time someone is brave enough to mount this “problem play.”...
The Mineola Twins at Cutting Ball Theater opens with thunder and lightning. The intensity continues unabated throughout the show. Paula Vogel’s play follows a pair of small-town twins as they navigate the trials of sex, potential nuclear war, marriage, electroshock therapy, parenthood, and violent crime. Myra and Myrna have...
Ilana Walder-Biesanz reviews the World Premiere of a new play by Katharine Sherman about Ondine, a water sprite.
Acclaimed San Francisco theater celebrates 17th season with season dedicated to “Dreams”.
Rob Melrose astutely writes that in many ways, The Pelican is "the modern chamber version of Hamlet and Electra – a father murdered by the mother and her lover and the children needing to know where their loyalties lie and what revenge to take."
This will be the first time all five of Strindberg’s Chamber Plays will be performed together in repertory in any language. Strindberg Cycle is the final offering in Cutting Ball's year-long programming celebrating the centennial of Strindberg's death.
One of Strindberg’s most peculiar and rarely performed plays, 'The Keys To Heaven' was never performed during the playwright’s lifetime.