A.C.T. celebrates Pinter’s legacy with ‘The Homecoming’
A long-absent son and his attractive wife, Ruth, return to his contentious childhood home in London’s East End.
Review: Blood between the keys in ‘The Agony and the Ecstasy of Steve Jobs’
But are we really jailbroken?
Theater Review: ‘Shadowlands’ by Palo Alto Players
I'd happily take John Anthony Nolan (Major Warnie Lewis) home and deposit him in an overstuffed chair in my living room.
Theater Review: ‘Private Eyes’
When nothing is what it seems and everything is subject to question.
Weekend: Around the Bay Area
But first, here on the west coast, weekends must begin with wine.
A.C.T. announces three shows for 2011-12 season
Race by David Mamet. Humor Abuse by Lorenzo Pisoni. Once in a Lifetime by George S. Kaufman and Moss Hart.
Review: Mike Daisey’s ‘The Last Cargo Cult’ showcases brilliant storyteller
At times his delivery reminded me of the late, great Chris Farley.
Opening at Berkeley Rep: The Last Cargo Cult
Note that a monologuist is not necessarily a monogamist.
Review: ‘Forever Tango’ sizzles in San Francisco
I thought, if the The Sopranos crew started a band, this is what it would look like.
Magic Theatre secures special funds for Taylor Mac’s ‘The Lily’s Revenge’
NEA, Columbia and Kenneth Rainin Foundation Grants Total $120,000.