Powerbomb!

Enter ‘Chad Deity’ at San Jose Stage Company

If you think you’re too good for wrestling, come to this show. If you think you know something about race and complicity, come to this show. If you feel disconnected from theatre, you should especially come to this show.

In Review

The Elaborate Entrance of Chad Deity

3.5 out of 5 stars
3.5 out of 5 stars - 'Sweet Stuff'
San Jose Stage Company
Directed by Jonathan Williams
Through November 10
www.thestage.org
Review by
The Elaborate Entrance of Chad Deity, San Jose Stage Company

Donald Paul as Chad Deity and James Long as The Bad Guy in San Jose Stage Company’s production of ‘The Elaborate Entrance of Chad Deity’.

Before anyone starts comparing the San Jose Stage Company production of The Elaborate Entrance of Chad Deity with Aurora’s 2012 production, let’s get this out of the way. San Jose Stage, in association with the Capital Stage Company, offered up an electric, fast-paced, gripping production. If you think you’re too smart or too liberal for World Wrestling Federation, just get over it. This is one of the smartest, funniest, new shows making the rounds. If you think you’re too good for wrestling, come to this show. If you think you know something about race and complicity, come to this show. If you feel disconnected from theatre, you should especially come to this show. There’s a reason that The Elaborate Entrance of Chad Deity Pulitzer Prize finalist in 2010 and an Obie winner in 2011. The San Jose Stage Company does this material proud.

Andrew Perez is a big part of what makes this show work. As underdog and narrator Macedonio (Mace) Guerro, his lightning patter combines wisdom with pathos. He may not be as big as Chad Deity. He may not be as loaded as fight promoter Everett K. Olson (Randall King). He may be more complicit than Vignesh Paduar (Jaspal Binning). Notwithstanding all of that, he brings plausibility to the preposterousness of wrestling that he gifts to everyone else on stage.

OK – now we can move on to the comparisons. This production was distinctly different from that at the Aurora. For starters, only videos of the powerbomb, a theatrical wrestling move that eliminates the competition, appeared in the first act, which initially seemed a little cheesy. Be patient. This show builds slowly. You’ll get the live powerbomb and more in Act II. In retrospect, this slow buildup works well.

ALSO SEE: Taking the Political Drama Elsewhere: ‘Warrior Class’

Secondly, this was a very different Chad Deity. Yes, they were both huge. Yes, they were both black. However, the Aurora Chad Deity was cut from the same cloth as Shaft.  He delivered his lines with a cool that was as impenetrable as it was ridiculous. Oozing with narcissism, he was just waiting to be toppled. Donald Paul was a very different Chad Deity – one who vacillated between silly and scary.

Lastly, small script changes, including references to the San Jose Sharks and Mitt Romney, gave the sense of trying too hard.

Theater Review - The Elaborate Entrance of Chad Deity

Andrew Perez* as “Mace”, Donald Paul* as “Chad Deity” and Jaspal Binning as “VP”.

I’ll close with a bit of dialogue from Mace.

“People love the powerbomb. They love the lower, the beauty, the implausibility of it. They know that it takes two people to pull that beautiful bullshit off, and they love that it takes two people to pull it off. There’s community in that move and somehow the people know that me and this genius are uniting to make it look like he’s murdering me, when in actuality I’m doing what I can to make him look like the all-world fighting machine he’s made out to be and he’s doing all he can with his limited capacity to make sure I don’t break my neck, and so at the bottom of what we’re doing is we’re both trying to ensure that neither one of us gets hurt. That fact is powerful and beautiful and, like I said, one of the most profound expressions of the ideals of this damn nation.”

With a script like that, what can you do, but root for Chad Deity?

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Cy Ashley Webb
Cy spent the ‘80’s as a bench scientist, the tech boom doing intellectual property law, and the first decade of the millennium, aspiring to be the world’s oldest grad student at Stanford where she is interested in political martyrdom. Presently, she enjoys writing for Stark Insider and the SF Examiner, hanging out at Palo Alto Children's Theatre, and participating in various political activities. Democracy is not a spectator sport! Cy is a SFBATCC member.
  • James Baker

    “Lastly, small script changes, including references to the San Jose Sharks” There are NO script changes! READ THE PLAY! Kristoffer Diaz (the playwright) says to reference whichever location your in. You start your article with “Before anyone starts comparing” but all you did was compare causing you to dish out false information and misquoted. I never saw the Aurora production but I’m sure it was great but I loved the San Jose one! Funny as hell!